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Blue in Green (take 2) (Davis) - 4:29: Bill Evans - piano Scott LaFaro - bass Paul Motian - drums Recorded in New York on December 28, 1959.

Other than introducing Evans Peris Scope, the music is comprised of standards, but the influential interpretations were far from routine or predictable at the time.

Bill Evans Portrait In Jazz Rar Zip Full Of Subtle

LaFaro and Motian were nearly equal partners with the pianist in the ensembles and their versions of such tunes as Come Rain or Come Shine, When I Fall in Love, and Someday My Prince Will Come (which preceded Miles Davis famous recording by a couple years) are full of subtle and surprising creativity.

The other was the year-and-a-half span in which Scott LaFaro was the bassist in Bills newly-formed trio and they developed their remarkable creative rapport, working towards what Evans termed simultaneous improvisation.

Portrait in Jazz was the first of four albums by the EvansLaFaroMotian team; in it can clearly be heard the exciting sound of new ideas being born.

Orrin Keepnews commentary (from his new liner notes): This turned out to be the easiest Bill Evans record session I was ever involved in.

The trios initial working repertoire consisted entirely of material that he wanted to record but had not yet attempted; I probably would have preferred having more than two originals, having not yet fully realized that his ability to reconstruct and revitalize old and often over-familiar standards was one of his more important contributions to the jazz vocabulary.

Blue in Green (take 2) (Davis) - 4:29 personnel: Bill Evans - piano Scott LaFaro - bass Paul Motian - drums The first of two studio albums by the Bill Evans-Scott LaFaro-Paul Motian trio (both of which preceded their famous engagement at the Village Vanguard), this Portrait in Jazz reissue contains some wondrous interplay, particularly between pianist Evans and bassist LaFaro, on the two versions of Autumn Leaves.

A gem.Scott Yanow EAC extraction logfile from 17.

Bill quindi cresce tra il suono delle canzoni popolari del Galles e quelle della chiesa ortodossa russa.

Bill assisteva spesso alle lezione di pianoforte impartite al fratello Harry, e quasi per caso, per gioco, trovava facile e divertente ripetere ci che aveva ascoltato.

Con il tempo questo trio ha svolto le sue famose sedute al Village Vanguard (Live at the Village Vanguard e Waltz per Debby) questa improvvisazione collettiva stata ben sviluppata.

Portrait in Jazz il primo album del trio, i ruoli allinterno del gruppo sono a volte ancora abbastanza convenzionale, con basso e batteria funzionanti come sezione ritmica con il pianista spotlighted come leader.

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